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A CHRISTMAS CAROL
by Charles Dickens
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The Last of the Spirits
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     Scrooge listened to this dialogue in horror. As they sat grouped about their spoil, in the scanty light afforded by the old man's lamp, he viewed them with a detestation and disgust, which could hardly have been greater, though they had been obscene demons, marketing the corpse itself.

     "Ha, ha!" laughed the same woman, when old Joe, producing a flannel bag with money in it, told out their several gains upon the ground. "This is the end of it, you see! He frightened every one away from him when he was alive, to profit us when he was dead! Ha, ha, ha!"

     "Spirit!" said Scrooge, shuddering from head to foot. "I see, I see. The case of this unhappy man might be my own. My life tends that way, now. Merciful Heaven, what is this!"

     He recoiled in terror, for the scene had changed, and now he almost touched a bed: a bare, uncurtained bed: on which, beneath a ragged sheet, there lay a something covered up, which, though it was dumb, announced itself in awful language.

     The room was very dark, too dark to be observed with any accuracy, though Scrooge glanced round it in obedience to a secret impulse, anxious to know what kind of room it was. A pale light, rising in the outer air, fell straight upon the bed; and on it, plundered and bereft, unwatched, unwept, uncared for, was the body of this man.

     Scrooge glanced towards the Phantom. Its steady hand was pointed to the head. The cover was so carelessly adjusted that the slightest raising of it, the motion of a finger upon Scrooge's part, would have disclosed the face. He thought of it, felt how easy it would be to do, and longed to do it; but had no more power to withdraw the veil than to dismiss the spectre at his side.

     Oh cold, cold, rigid, dreadful Death, set up thine altar here, and dress it with such terrors as thou hast at thy command: for this is thy dominion! But of the loved, revered, and honoured head, thou canst not turn one hair to thy dread purposes, or make one feature odious. It is not that the hand is heavy and will fall down when released; it is not that the heart and pulse are still; but that the hand WAS open, generous, and true; the heart brave, warm, and tender; and the pulse a man's. Strike, Shadow, strike! And see his good deeds springing from the wound, to sow the world with life immortal!

     No voice pronounced these words in Scrooge's ears, and yet he heard them when he looked upon the bed. He thought, if this man could be raised up now, what would be his foremost thoughts? Avarice, hard-dealing, griping cares? They have brought him to a rich end, truly!

Illustration by Tim Holtrop - from the Charles Dickens classic, A Christmas Carol

     He lay, in the dark empty house, with not a man, a woman, or a child, to say that he was kind to me in this or that, and for the memory of one kind word I will be kind to him. A cat was tearing at the door, and there was a sound of gnawing rats beneath the hearth-stone. What they wanted in the room of death, and why they were so restless and disturbed, Scrooge did not dare to think.

     "Spirit!" he said, "this is a fearful place. In leaving it, I shall not leave its lesson, trust me. Let us go!"

     Still the Ghost pointed with an unmoved finger to the head.

     "I understand you," Scrooge returned, "and I would do it, if I could. But I have not the power, Spirit. I have not the power."

     Again it seemed to look upon him.

     "If there is any person in the town, who feels emotion caused by this man's death," said Scrooge quite agonised, "show that person to me, Spirit, I beseech you!"

     The Phantom spread its dark robe before him for a moment, like a wing; and withdrawing it, revealed a room by daylight, where a mother and her children were.

     She was expecting some one, and with anxious eagerness; for she walked up and down the room; started at every sound; looked out from the window; glanced at the clock; tried, but in vain, to work with her needle; and could hardly bear the voices of the children in their play.

     At length the long-expected knock was heard. She hurried to the door, and met her husband; a man whose face was careworn and depressed, though he was young. There was a remarkable expression in it now; a kind of serious delight of which he felt ashamed, and which he struggled to repress.

     He sat down to the dinner that had been hoarding for him by the fire; and when she asked him faintly what news (which was not until after a long silence), he appeared embarrassed how to answer.

     "Is it good?" she said, "or bad?"--to help him.

     "Bad," he answered.

     "We are quite ruined?"

     "No. There is hope yet, Caroline."

     "If he relents," she said, amazed, "there is! Nothing is past hope, if such a miracle has happened."

     "He is past relenting," said her husband. "He is dead."

     She was a mild and patient creature if her face spoke truth; but she was thankful in her soul to hear it, and she said so, with clasped hands. She prayed forgiveness the next moment, and was sorry; but the first was the emotion of her heart.

     "What the half-drunken woman whom I told you of last night, said to me, when I tried to see him and obtain a week's delay; and what I thought was a mere excuse to avoid me; turns out to have been quite true. He was not only very ill, but dying, then."

     "To whom will our debt be transferred?"

     "I don't know. But before that time we shall be ready with the money; and even though we were not, it would be a bad fortune indeed to find so merciless a creditor in his successor. We may sleep to-night with light hearts, Caroline!"

     Yes. Soften it as they would, their hearts were lighter. The children's faces, hushed and clustered round to hear what they so little understood, were brighter; and it was a happier house for this man's death! The only emotion that the Ghost could show him, caused by the event, was one of pleasure.

     "Let me see some tenderness connected with a death," said Scrooge; "or that dark chamber, Spirit, which we left just now, will be for ever present to me."

Illustration by Tim Holtrop - from the Charles Dickens classic, A Christmas Carol

     The Ghost conducted him through several streets familiar to his feet; and as they went along, Scrooge looked here and there to find himself, but nowhere was he to be seen. They entered poor Bob Cratchit's house; the dwelling he had visited before; and found the mother and the children seated round the fire.

     Quiet. Very quiet. The noisy little Cratchits were as still as statues in one corner, and sat looking up at Peter, who had a book before him. The mother and her daughters were engaged in sewing. But surely they were very quiet!

     "'And He took a child, and set him in the midst of them.'"

     Where had Scrooge heard those words? He had not dreamed them. The boy must have read them out, as he and the Spirit crossed the threshold. Why did he not go on?

     The mother laid her work upon the table, and put her hand up to her face.

     "The colour hurts my eyes," she said.

     The colour? Ah, poor Tiny Tim!

     "They're better now again," said Cratchit's wife. "It makes them weak by candle-light; and I wouldn't show weak eyes to your father when he comes home, for the world. It must be near his time."

     "Past it rather," Peter answered, shutting up his book. "But I think he has walked a little slower than he used, these few last evenings, mother."

     They were very quiet again. At last she said, and in a steady, cheerful voice, that only faltered once:

     "I have known him walk with--I have known him walk with Tiny Tim upon his shoulder, very fast indeed."

     "And so have I," cried Peter. "Often."

     "And so have I," exclaimed another. So had all.

     "But he was very light to carry," she resumed, intent upon her work, "and his father loved him so, that it was no trouble: no trouble. And there is your father at the door!"


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The complete text and most of the illustrations of "A Christmas Carol" by Charles Dickens displayed here are, to the best of my knowledge, in the public domain. New illustrations by Tim Holtrop are ©2011 Tim Holtrop.